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"Get off now, my brother, get off," said the bear. "There is the camp of your people. I shall leave you"; and at once he turned and went off up the mountain. Again she has grown silent, as though oppressed with thought; and he too is mute, but all his mind is crowded with glad anticipations of what the near future is to give him. He has no regrets, no fears. At length, struck by her persistent taciturnity, he says, "What is it, Mona?" "I am always forgiving you, it seems to me," says Mona, coldly, turning from him with a frown. "And as for that heather," facing him again, with eyes shamed but wrathful, "I just kept it because—because—oh, because I didn't like to throw it away! That was all!".

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The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else. Weasel Heart asked him, "Did you see me?" "Yes. Girl with light, frizzy hair and green eye." "I am in no pain," says Mona, crimson with shame and mortification. "You mistake everything. I have not even a scratch on me; and—I have no shoes or stockings on me either, if you must know all!".